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Two artists, Rosie Lynch and Sarah Lincoln
examine the connections that exist between
people.
Although each artist approaches the subject
from a radically different perspective, both
explore those forces which cause a body to
move about in relation to a centre, whether
that be emotional or socio-political.
Sarah Lincoln chooses to expose the complicated
circuits of modern urban existence through
a site-specific installation. She uses simple
materials such as card, cement blocks, glue,
rubber bands and paint to recreate makeshift
models of local structures in order to suggest
in a playful manner how each site produces
its own system of circuits vital to the workings
of a city.
Rosie Lynch draws our attention to the more
fragile and allusive world of personal relationships.
Drawing on her interest in narrative form
as found in fairytales and folklore, she produces
a subtle investigation of the visual vocabulary
of inherited relationship mythologies, especially
those emerging from the idealism of land-based
living.
Plaits, flower garlands, tears, folk songs
and nature become absorbed into a carefully
composed and thoughtful body of work.
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